Fantasy

Dracula by Bram Stoker

Dracula by Bram Stoker

Review by Shwetha H S

Genre: Paranormal, Fantasy, Horror, Fiction, Classic
ISBN: 978-0-553-21271-6
Imprint: Bantam Classic

Abraham Stoker, an Irish novelist known to the world as Bram Stoker, wrote short stories too. He is famous for his work Dracula, which was first named as The Undead.

The story is set in and written in 19th century. Jonathan Harker, a solicitor from England, goes to Transylvania to meet his client Count Dracula regarding new properties bought for the Count. Since the start of the journey until he reaches the castle, Harker is spooked by the strange things that transpire and the driver controlling the wolves. Once in the castle, the strange behaviour and looks of the old Count Dracula make him nervous. What scare him further are the ghosts that try to feed on him and his house arrest by the Count. While Harker is struggling to escape from Transylvania, his fiancée, Wilhelmina Murray also known as Mina, worries of not hearing properly from him in England. She spends her time with her friend Lucy Westenra in Whitby. Lucy starts behaving strangely at night after being found on lonely ground alone with tow marks on her neck. Lucy’s fiancé, Arthur Holmwood also known as Lord Godalming, and his two friends, Dr. John Seward and Quincey Morris who are also in love with Lucy, are worried about continuously failing health of Lucy. Dr. Seward also faces the issue of handling Renfield, a loon. Distraught by this, Dr. Seward invites his professor and friend, Abraham Van Helsing, from Amsterdam to come see Lucy. Van Helsing takes a look at Lucy and understands the reason to be a vampire. He tries to save her and succeeds to even do so, but fails when she throws caution into air. Dead Lucy turns into a vampire, but eventually gets killed. Things take a bad turn when the rescued and married Jonathan Harker sees a young Count Dracula in England. Mina and Jonathan form a team with the other four men to put an end to the haunting in England.

Dracula is written in the diary form. The day-to-day happenings are written in each person’s diary. Each and every minute detail is elaborately explained. Just like other novels written in this format, the story by Bram Stoker too bores the readers every now and then. Skip a few paragraphs and you will still be able to understand what’s going on. The reader will be desperate to finish the book. The only best part, from a movie buff point of view, is you get the origin of Dr. Van Helsing in this book. But we should applaud Bram Stoker for coming up with a vampire story back when people were still not into paranormal fantasy erotica.

Read this classic only if you have nothing better to do.

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Loose Strings by Dr. Dale A Grove

Loose Strings by Dr. Dale A Grove

Review by Shwetha H S

What would have happened if many of our eminent scientists had not died or deviated from their scientific aims in their lives? Humanity would have technologically developed, but not sure for good or bad. In another universe, a world called Regnus is highly developed, so developed that its citizens are at the dead end of any kind of technological development because they have exhausted themselves in every possibility. To stay as the most developed world of theirs as well as neighbouring universes, the History Security Officers are assigned the tasks of distracting scientists of different worlds and hindering them from reaching their goals. On one such mission, Regnus’ History Security Officer Rakena meets Dr. Wolfe Sterling, who is trying to save science on Earth. What happens to the history science on Earth? Does Rakena succeed in altering Earth’s scientific history? Will Dr. Wolfe Sterling resist the alien beauty’s ventures?

Loose Strings has a good storyline with multiple time travelling and travelling between universes, complex ideas of physics which you don’t need to understand in depth to enjoy the story. Since all the characters are humans and similar to humans, the reader doesn’t have to think about the complexities of the alien anatomy. But the problem is there are so many characters; even the supporting characters have their own supporting characters and storylines. The story is fast paced, but there are times when there are abrupt shifts from one scene to another, or a character doing something which wasn’t actually necessary or called for. But the only point that becomes difficult to accept is the element of God in the Sci-Fi novel. It almost becomes like preaching Christianity to the readers with the help of aliens. Dr. Dale A Grove lets the readers down when he starts talking about God.

Except for the God part, the novel must be for its unique time travel and multiverse travel story. Sci-Fi lovers will enjoy this if they ignore the sudden inclusion of the Almighty.

The Reflections of Queen Snow White by David Meredith

The Reflections of Queen Snow White by David Meredith

Review by Shwetha H S

It has been years since Prince Charming rescued Princess Snow White. Don’t you want to know what she has been up to? David Meredith tells you what our naive princess has been up to in her happily ever after in a life after marrying Prince Charming in this story based on the fairy tale by Grimm brothers. Hang in there because this is not just a mere extension of a fairy tale.

Snow White is not a princess anymore. She is a queen now. With her husband, King Charming dead and her daughter Raven’s wedding nearing, Queen Snow White is indifferent to everything is lost without her loving husband. In a bid to get out of the depression, the Queen decides to take a stroll in her own castle and absentmindedly ends up in her tormenting but dead stepmother Lady Arglist’s chamber. There she finds the famed Mirror on the Wall. Contrary to the popular belief, or our understanding from the original Snow White tale, the mirror is not an ally of the villain and is just a reflector of truth.

The mirror shows and tells Snow White what she has been denying for all those years and tries to make her see the light. It makes Snow White realise when and why she actually started hating her stepmother, the strength she had to brace against Lady Arglist’s abuses, the helpless determination to escape from her tormentor, how she was saved by her dwarves and her prince, how her husband made a lady out of a girl, how her husband helped her in the matters of court, how she had found the long lost courage to stand for herself in the absence of her husband against usurpers, love and devotion of her husband displayed vividly on the verge of her death and escape from it, and love and admiration of her Raven proven when King Charming dies unexpectedly. Through all this, the mirror makes Queen Snow White understand that she and her husband lived wonderful years together, she was perfectly capable of taking care of herself, her daughter and her kingdom, and she was no more and damsel in distress.

Through this story based on a fairy tale, the author David Meredith conveys the message that girls should stop acting damsel in distress and waiting for their Prince Charming, and instead should stand tall and charm their way to their life goals. This is a story worth reading because it tells you what happens after the mythical “happily-ever-after” and even Snow White had a life like us.

Fantastic Beasts and Where to Find Them by Newt Scamander

Fantastic Beasts and Where to Find Them by Newt Scamander

Review by Shwetha H S

Fantastic Beasts and Where to Find Them by Newt Scamander is one of the books that’s part of Harry Potter’s curriculum in Hogwarts. Though this book claims to be an encyclopaedia about magical animals, it turns out to be a mere catalogue, all the magical animals in alphabetical order. It is a commendable effort to come up with seventy-five species of magical animals, but the descriptions don’t cater much to the reader’s imagination regarding the physical appearances of certain animals. Considering this book to be part of Hogwarts’ curriculum, how can students rely on this book? At some places the description is just splendid, but for rest we have to just keep calm. Unsure about how the animals are meant to be, now the reader has to rely on the movie version of this book. But, the way categorisation of beasts is done and how each animal or beast is different from the other, makes us appreciate the mesmerising world of Harry Potter and other witches and wizards. Of course, now Muggles too.

The Rise of Hastinapur by Sharath Komarraju

The Rise of Hastinapur by Sharath Komarraju (Hastinapur, #2)

Review by Shwetha H S

Following the events that occurred by the death of Vichitraveerya in the Book #1 of Hastinapur series, The Winds of Hastinapur by Sharath Komarraju, The Rise of Hastinapur starts with Amba who becomes a priestess, then takes you to Pritha, the princess of Kunti, and at last Gandhari, the princess of Gandhar. Devavrata is now renowned as Bhishma, and Satyavati is not mentioned much in here, but Ganga is still there. And you get to meet Shakuni, the prince of Gandhar and younger brother of Gandhari. Hastinapur has grown to be a juggernaut and so does the number of people scheming for the downfall of Hastinapur and Bhishma.

This book, more than the first one, leaves you wondering if Bhishma was truly a visionary or just a happy-go-lucky chap for the time being. More than men, he has women scheming against him and he has no idea like ever. The celestials are present as usual and they play their role whenever necessary. There are lust-filled, power- hungry people everywhere who may or may not be truly brave. As the story continues, it is easier now to see these characters from Mahabharata to be more realistic than magical as they are told to be. Of course, magic is there due to the Celestials, but this retelling doesn’t have magic for everything; like magic to bring shoot arrows and burn people.

As the story moves forward, there are more and more characters brought in. I am sure there are more to come. Why? Because this is Mahabharata! There are numerous characters meant to be in it. But for now, the royal ladies are paving the path to where they go and lay the foundation to one of the epics that mankind has ever witnessed (ahem, read). So, brace yourselves people. Sharath Komarraju is here to stay narrating his version of Mahabharata.

The Winds of Hastinapur by Sharath Komarraju

The Winds of Hastinapur by Sharath Komarraju (Hastinapur, #1)

Review by Shwetha H S

We grew up listening to tales of Mahabharata and sub-stories related to this epic. Many of us must have even watched the telecast of B R Chopra’s and Ravi Chopra’s Mahabharat and its many re-telecasts. The epic is etched on our minds so well that we can’t imagine anybody else for all the characters apart from those who portrayed them. But Sharath Komarraju manages to cast away those familiar images and instil new ones in their places through his first book in this Hastinapur series, which is a retelling of Mahabharata, called The Winds of Hastinapur. You certainly won’t think of Mukesh Khanna when you think of Devavrata while reading this story.

The Hastinapur series is not only about Mahabharata, but about women of Mahabharata. True to being the first in the series, The Winds of Hastinapur tells you where and why a path was paved for this epic. There is a great man at the beginning of every epic and behind every great (replacing successful) man, there is a woman. And that woman is none other than Ganga, and many other women who were the Lady of the River before her. Then came Satyavati followed by Amba and her sisters. The story in the first book mainly revolves around the age-old concept, you know what they say, hell hath no fury like a woman scorned. Well, this applies only for Ganga here. Satyavati is more of “I am the woman.” Amba arrives towards the end of the story and that makes me guess it is from her the next story starts.

There are men too in this story. Apart from many celestials and sages, we have many kings here. Out of them, Shantanu and Devavrata, who goes on to be known as Bhishma. You will take pity on both the men as the story moves ahead.

From what is depicted of this epic in sculptures and paintings on ancient architectures, we already know that men were brave and women were sensual. But imagine them to be making out with each other? Oh, they were more human than divine. Or did divine blood too crave for intercourse? This retelling is more realistic than completely magical; like babies popping out of nowhere. Nonetheless, this retelling of Mahabharata is worth reading and it keeps you waiting for the next book is the series, The Rise of Hastinapur.

Guest Post: Fantasies, Mary Sues, and Finding New Ways to Tell Old Stories by J M Frey

I love SF/F, but about a decade ago, back before my academic studies kept me from being the voracious reader I used to be (and back before YA became a thing – yes, I’m that old), I was finding that I was getting exhausted with it. It was the same thing over, and over, and over again.

I mean, I love the Marvel Cinematic Universe, but just look at all those white men. I can’t tell them apart from far away. It’s the same with video game protagonists lately. Two decades ago there was more diversity. Now it’s all vaguely tanned, scruffy brunette soldier guys.

So much in media – and especially in SF/F – we see female characters who are simply not complexly written. The character exists to be the pursued love interest a.k.a the princess in the tower, with very little deep-down characterization and motivation beyond Looking Pretty For The Hero. Or, they exist only for the sake of a plot point – if they come to harm, it’s to further the hero’s emotional journey or to spur him to action. If they step out of this mould, it’s because they’re crazy, or rebellious, or crazy villains (because only the crazy ones wouldn’t desire to please the hero, right?).

This is all my very long way of saying – as a woman reading the classic epic fantasy novels of my youth, it left a faintly bitter taste in my mouth whenever the heroes met a female character. These books told me, time and again, that I as a woman was only good for those things. And as a woman, I had no right to any further development, or complex desires.

It’s exhausting. It’s no fun being told you are worthless.

(As an aside – thank god and praise be to the wonderful and diverse YA writers who populate the shelves now. I wish I’d had you around when I was a teenager.)

As I was contemplating whether I really wanted to write a fantasy book in the classic tradition – or how I ever could –  the buzz for this new TV show started to fill the air: Game of Thrones. I’d never heard of George R.R. Martin, or read his books, prior to the series coming out. But it sounded right up my alley, so I watched.

It gave me a lot of ideas about how I’d like to build my fantasy world, and what sorts of characters to create to inhabit it, but mostly what it really sparked in me was a kind of low-level resentment. It wasn’t aimed at the show, but at the guy friend I was watching it with. We had an argument about intended audience, and I couldn’t get him to understand how much it sucks to not be the center, to not be the target or the intended. I mean, I literally couldn’t get him to understand that Game of Thrones, while not horrible, was not made for me, but for people like him: White. Male. Straight.

I was so angry I went off to my office and wrote a scene where a female character yells at the hero of a standard fantasy series just to get all the frustration out in the open. The next morning I reread it and thought: “I think there’s something in this. This frustration at always being on the edge. This awareness that you are present but forced to be silent.”

And I really liked the idea of a main character that was that self aware. Who could yell back at the book. I wrote my MA thesis on Mary Sue fan fiction, and why Mary Sues are important to fandom and are an important stage in the evolution of a writer.

Mary Sues are the first literary impulse of children who have grown out of elastic imaginative play on the jungle gym, shouting “I’m a Ninja Turtle and you’re a G.I. Joe, and I’m a special girl turtle because turtles can be girls too!”

At the risk of generalizing, I would even say that Mary Sues are the way we all enter fandom. We enter that world of play by imagining ourselves there. As children we do it by running around the yard with toy lightsabers and My Little Ponies.

Then as fannish youths, we make up elaborate stories – sometimes only in our own heads – about what we would do if we were friends with (or romantic interests to) the heroes we adore. I know as a teenager I so desperately wanted to be a Sailor Scout that I carried around a glass jewel that I had fallen off a chandelier in the hopes that it would turn out to be a Power Crystal if I just wished hard enough.

Later, if this sort of fannishness leads us to fanfiction and we choose to write, then we develop those imagination games into our first tentative written words. So it makes sense that the first literary impulse should be to include ourselves – or rather, an idealized version of ourselves, because we all would prefer to be our idealized selves – into the worlds that we love. It absolutely makes sense that overwhelmingly new fanfiction author’s first works are Mary Sue fic.

It is only later that, as writers, we develop the skills and ability to tell stories about characters who are not ourselves. We learn by writing other people’s well-rounded original fictional characters. Then still later, if the fanfiction author decides to move to profic (and many don’t, preferring to keep writing a beloved hobby), then we use those skills we honed to create our own well-rounded original fictional characters.

And I think this is a lot of why Mary Sues are derided; they remind readers of our own first, embarrassing, coltish forays into story-telling.  It’s a knee-jerk reaction to want to distance yourself from something mortifying that you did by mocking it.

But I think we need to stop coming down so hard on Mary Sues. They are important.  You don’t yell at a child for failing to colour within the lines. We shouldn’t yell at writers about Mary Sues.

Meta Sues – Mary Sues written with a conscious and deliberate hand, by an author aware of all that a Mary Sue is and utilizing the powers of the trope to bend the narrative of their tale in interesting ways – are fascinating.

Like taking Selfies, consciously writing Meta Mary Sues is an intensely, defiantly feminist act.

It is a way of saying I am here, and I am worth celebrating. And as aware, mature writers consciously choosing to write Mary Sues, we are forcing space for ourselves and people like us in media texts and literary traditions that otherwise marginalize or silence voices like ours. We are deliberately making space for ourselves and people like us.

And it occurred to me then that this was the perfect way to marry that academic discourse with my love of fantasy. So I created Lucy Piper, a Meta Sue.

This is not, of course, the only way to write a feminist novel. It is simply the way I chose to write one, and why. And so dismissing Pip as simply a Mary Sue in the pejorative sense is missing the point.

I laboured to create a strongly written female character (as opposed to a strong violent female character), with motivations and desires that yeah, sometimes are at odds with themselves, like they are in real life. She’s not violent, she can’t fight back.

Yes, she is harmed for the sake of the plot. Yes, she is, in fact, rescued.  If you’re going to write a novel about those tropes, you must first enact them. The book features sexual assault, yes, but not for titillation. It exists to be confronted, starkly, and discussed. If I had left it out, I feel like it  would have been a glaring error, because it would have been an obvious avoidance of the typical fate of female characters in fantasy. Worse, it would have been cowardly.

Pip is a highly intelligent woman, too. I gave another character my childhood nervous stutter, but I gave Pip my current speech patterns. She, like my friends and I, speaks in essays and academic discourse. This is how PhD candidates communicate. And anyone who says that Pip’s rants and outbursts are contrived and awkward clearly hasn’t spent any time in a university grad lounge during happy hour. 😉

Pip’s strength comes from embracing the tropes that fantasy literature imposes on her simply because she is a woman, and using them to her own advantage and power. Pip is a strong female character because of her wit, her intellect, and from that very thing that makes all female fantasy readers powerful – her fannishness. There is power in being a fangirl, and there is a complexity there to, in loving the problematic.

Also, Pip is not white. I wanted to write a story that not only was different than what was normally told, but points out why diversity in the types of characters included is important. That not only contains this diversity, but also discusses it. I wanted to write a book that makes the readers intensely aware that it is a book. And yet still be entertaining. I hope I’ve succeeded.

And that brings us to Forsyth.

Like the rest of my oeuvre, I made a point of choosing the least likely narrator I could for the story.  I love to tell stories from a perspective that is just on the rim of the action. History is written by the victors, they say, which has always made me wonder how the losers would tell it. Or the victor’s personal assistant or dog-walker. How is the same tale told when it’s being related by someone who isn’t in the center of it? Someone who isn’t the hero?

For me, for the personal choices I made, and for the way that I wanted to approach a feminist fantasy novel (not the only way, but the way that I prefer to approach it) it had to be first person from the POV of this outsider, because then we had access to his personal thoughts on the action.

Forsyth is a Mary Sue, too. And that is feminist as well.

Forsyth is a genuinely good man who’s just never had a break. He is whip-smart, but he’s been overshadowed by his hero big brother his whole life. He is physically normal, and he feels, intensely, the pressure to be an alpha-hero man’s man. He is, in essence, the geek everyman.

Compared to his fantasy-hero-brother he could even be derided for being “girly”, though that might be a narrow, patriarchical view of a male character whose power lies in realms outside of violence and upholding toxic masculinity ideas of what it means to be “a man”. I personally believe that it’s misogynistic to declare that a man is not allowed to enjoy things that have been coded as traditionally feminine, like reading and dancing.

Even when, especially when, Pip falls into the trap of deriding traditionally female pursuits as girlie herself. Pip is not written to be the perfect feminist (for there is, unfortunately, no such thing, no matter how hard I may try), and she has to spend part of the book learning what that means, even as she teaches it to Forsyth.

Forsyth finds his own power through being a geek. He doesn’t transform into a muscle-bound sword-waving hero. Instead he finds his own heroism in his own strengths, in his own way. He doesn’t transform so much as finally begins to fill his own skin. He is the fact-gathering, body-conscious, socially anxious nerdboy that we all know and love, and that is the source of his heroism and power.

His other strength is in how he doesn’t see the women around him as lesser, especially the women of colour.

And of course, it was also important to me to fashion Forsyth as being human. Characters are allowed to have sexual thoughts and attractions – Forsyth muses often on how desirable he finds Pip. Human beings desire. That’s normal. We look at each other and think, yeah, I’d like to jump that. Yum. Sex, and sexual desire, is allowed.

But his strength of character comes from how he handles those desires. He doesn’t force them on Pip. He doesn’t feel entitled to have her just because he wants her. He doesn’t moan about friendzones. He asks.

He is, I suppose, like any good Mary Sue (Marty Stu?) the idealized version of a geek everyman. And not so unrealistic for all that – I know Forsyth Turns IRL. They exist. But he is, in many ways, also my perfect fantasy book boyfriend. I will admit to have maybe making him a little too romantic. 😀

The Accidental Turn Series was not created to attack the works of Tolkien, Jordan, Brooks, or Martin, but rather to converse with them. These great classic fantasy books, they gave us what it means to write modern western fantasy, and what it means to be a fantasy writer. With each generation, it’s the artist’s responsibility to enter into a dialogue with what came before. That’s how you get expressionism and cubism out of the work of the romantics. This is my reply to what came before me. This is the next phrase in the dialogue. The next evolution of the genre. Ambitious? Probably. But you might as well shoot for the moon, right?

I hope the book will really resonate with readers like me, readers who love fantasy books but are frustrated at never seeing themselves in the books (or, if they are, as villains, exotic “others”, or savages). I mean, it’s no wonder the weird kids always fall in love with monsters, and bad guys, and mutant characters – it’s the only place we see ourselves.

My two main heroes – Pip and the narrator character Forsyth – start the book damaged by the demands of what their respective gender roles force on them in the world of Fantasy. They are the Mary Sues, the stand in for the readers. But by the end, they find power in that very Mary Suishness that they inhabit. They find the power in doing their best to be feminist, being outside of the norm, and being fans.

 

J.M. Frey is a voice actor, SF/F author, cosplayer, and fanthropologist. The Untold Tale, book one of the Accidental Turn series, is now available from all major online and IRL retailers.

www.jmfrey.net | @scifrey

Barking Madness by Ryan Hill

Barking Madness by Ryan Hill

Review by Vijaya Raghava

Barking madness is quintessentially a young adult story that has romance, lust, jealousy, vengeance, werewolves, murder, thrill and its share of flaws.

The story is told from the point of view of its two main characters – Rose and Mike. Rose moves to a small town and is among the “hottest” girls in her school. Everyone in the school fantasizes about her. Mike also has a crush on her but is too shy to speak to girls. Within no time Rose meets a handsome hunk and falls in love with him. They go out partying and on one night they are attacked by a Werewolf. The hunk is killed while Rose, though bitten by the wolf, escapes death as Mike saves her just in time. Over the next few months a string of people close to Rose are killed. Further, the dead start speaking to Rose and haunt her. She is further haunted by a masked man whom she has never met. With each death, Rose slips deeper into a depression. Mike gets a few chances to get close to Rose and tries to help her with her issues even while dealing with his own problems. Do these deaths have anything to do with Rose and the Werewolf? Or are they just a figment of her imagination. Or is there something more to all this madness?

Most of the characters in the story are teenagers and you can relate to them. That said, you can’t help but think that a bit more effort could have been put into developing the lead characters as most of the story revolves around them. You find Rose sobbing through most part of the story and after a while you start wondering if she deserves to be the lead character. Most things fall in place for her because she is “hot”. There are not many dimensions to Mike’s character as well. The support characters seem convincing and they come and go as and when the plot requires.

The plot gathers pace slowly and explodes with gore with the first few murders and keeps the reader intrigued for a while. However, the middle chapters seem like a bit of a drag with too many repetitive events and offer very little in terms of freshness to the plot. The tempo picks up towards the climax and there is a new twist to the plot. The author tries to mix up things a bit towards the end but the end result seems a bit underwhelming and leaves many questions unanswered even if you factor in the revelations at the end.

I definitely feel that the book is a bit lenghty and can be condensed a bit. I wouldn’t mind recommending the book in its condensed form.

Interview with Lindsay Edmunds

Lindsay Edmunds is the author of New Sun Rising: Ten Stories. This weekend, we bring you an interview with her.

We Read That Too: We know that you are an author. As what kind of an author would you introduce yourself?

Lindsay Edmunds: Late at night a few months ago in a state of exhaustion, it dawned on me what kind of stories I write: magical realism for the internet age. Ghosts coexist with e-beasts, mobiles with magic.

I’ve always been interested in the relationships people have with machines and have always liked fairy tales and fantasy. Magical realism for the internet age is the logical result of those interests.

WRTT: What do you do apart from writing?

LE: I work as a freelance editor in the areas of ecology, managed care, and pharmacy. My home is a semirural part of southwestern Pennsylvania, about 12 miles south of Pittsburgh.

WRTT: What genres of books do you read?

LE: I like biographies, speculative fiction, and traditional fairy tales/folk tales. However,  a book I reread almost every year, Turtle Diary by Russell Hoban, has none of those elements. Best to just describe me as a book omnivore.

WRTT: Given a chance, how would you describe New Sun Rising: Ten Stories in just one sentence?

LE: It tells the story of Kedzie Greer, a girl who looks beyond the walls of her perfect community in search for more.

WRTT: What prompted you to write this story?

LE: It began with a dreamlike image: angels bending over the bed of girl who was balancing between life and death. They told her to live.

This image makes a brief appearance in the story “Fallow Time”

“Kedzie remembered tall, blue-robed angels mouthing words she could not understand. It had to have been in the hospital. Before the hospital was a blank.”

WRTT: What inspired you to write a dystopian fiction?

LE: In New Sun Rising, I first created a utopian community, Stillwater. It was logical, in terms of storytelling, to show the world outside Stillwater’s walls as dystopian. That is how the young heroine, Kedzie Greer, would see it because she was raised in a kindly and beautiful place.

WRTT: With which other dystopian fiction would you like to compare New Sun Rising: Ten Stories?

LE: Rather than answer that question directly, I will talk about influences on my work. Every story in New Sun Rising begins with a quotation from eitherDandelion Wine or Something Wicked This Way Comes by Ray Bradbury, a writer whose work I have enjoyed since a teenager.

Shirley Jackson, author of “The Lottery,” wrote a little-known 1950s apocalyptic novel called The Sundial with definite dystopian elements.

I also like the great post-apocalypse/dystopian novel Riddley Walker by Russell Hoban.

I admire all these authors, but would never compare myself to them. They are heroes to me.

WRTT: Apart from New Sun Rising: Ten Stories, name any one dystopian fiction which you would suggest your readers?

LE: I really liked Susan Kaye Quinn’s YA novel The Legacy Human. She just published a sequel, The Duality Bridge, which is high up on my to-be-read list. http://www.susankayequinn.com/

WRTT: Are there any other works of yours in the pipeline?

LE: Yes, two!

First one: USA Today best-selling urban fantasy author Anthea Sharp just greenlighted my story “The Skeptic” for inclusion in the Chronicle Worlds: Feyland anthology. Chronicle Worlds is a sibling series to The Future Chronicles,a best-selling science fiction/spec fiction anthology series. This is the premise of Anthea Sharp’s Feyland: “What if a high-tech computer game was actually a gateway to the Realm of Faerie?”

Second one: A novella set in the early years of the 23rd century about a husband and wife, both expert programmers, who have devoted their entire lives to making Networld a better, richer experience for people. They believe that advances in artificial intelligence and robotics offer the hope of immortality. Now that the wife is dying prematurely, they look back on their 25-year marriage.

Its name is The Paradise Fix.

WRTT: Anything else that you would like your readers to know?

LE: I love watching bad movies with good friends. The more terrible the movie, the more fun we have. I suppose that’s a dystoptian/utopian thing: the bad movie is the dystopia; friendship and laughter are the gold.

WRTT: Thank you, Lindsay. With your suggestions, our list of to-read books has grown and we look forward to add your next book to the same list.

The God Thought by Dave Cravens

Review by Shwetha H S

First of all, somebody make this book into a movie. Second and last, I loved the theme of this book. It is difficult to pull off a story with a concept as this one if you have no knack of keeping the reader engaged. Dave Cravens has not dragged any aspect of this story, necessarily or unnecessarily.

The story is based on the idea of what happens if a layman acquires infinite power just by a thought that rose in the mind, a thought that is said to have been conceived to birth this universe, a thought called The God Thought. So, it is not enough to just have a concept for a story. You also need characters in it. Well, we have a fantastic array of characters whose special powers will amaze you; Oliver Wells, Pamela Chance, Dr. Janet Pharaoh, Mr. Trevor, Charlie, John Douglas and Marilyn Douglas. What do these characters do? They are trying to save the world from one another. How? By working for an organization that claims to strive for everyone’s wellbeing. Oh, really? Read the story to know more. This book has neatly sewn plot. Men in Black meet Harry Potter.

You will not regret reading this book. It keeps you gripped to itself. How I wish somebody turned it into a movie already….