Sex

On the Road by Jack Kerouac

On the Road by Jack Kerouac

Review by Shwetha H S

Genre: Beat generation, nonfiction, memoir
Imprint: Penguin Modern Classics
ISBN: 978-0-141-18267-4

On the Road is Jack Kerouac’s novel that tells you about the road trip that Salvatore Paradise takes along with Dean Moriarty across the country of USA. Jack Kerouac belongs to the beat generation, the generation that prized the life of leaving on one’s own terms rather than by society norms. On the Road is the story of the author himself but the names of the characters in the story are changed. Jack Kerouac becomes Salvatore (Sal) Paradise and Neal Cassady becomes Dean Moriarty.

The book is in five parts. The first part sees Sal meeting Dean, not liking him much at first and later missing him and going off on a cross-country hitchhiking trip from New York to Denver to meet the later. Sal is a writer and Dean is a car thief. Sal sees Dean and Carlo Marx, a common friend, get high and talk their hearts out. Dean is in the process of divorcing his first wife Marylou and marrying Camille. Sal leaves Dean and others, and goes to San Francisco to be with his childhood friend, Remi, and his wife, Lee Ann. Lee married Remi thinking he is a wealthy man, but he is a night watchman at a sailors’ camp. He gets Sal a similar job. Both rob things from others to make a better living, but eventually blow things up. On his way back to New York, Sal meets Terry, a Mexican girl who has left her harassing husband and come out with her child. Sal and Terry fall in love and stay together for some time, but he eventually leaves her and comes back to New York. Part two shows what happened a year later. Dean, Marylou and Ed Dunkel come to pick Sal from his relatives’ place in Virginia, and go off again on a road trip to New Orleans and to San Francisco. Dean has left Camille with his new born daughter and come back to Marylou. Ed Dunkel is a lost soul. On this road trip, Dean comes up with creepy things making Sal uneasy. Once they reach San Francisco, Dean leaves Sal and Marylou stranded without money and food, and goes back to Camille. Disheartened with both Dean and Marylou, Sal leaves them and comes back to New York. Part three sees Sal going in search of Dean again a year after leaving him. Sal misses Dean and the excited life that comes along with the later. By then, Marylou is married to someone else. Seeing Sal with Dean, Camille is assured that the duo will again go away leaving her pregnant with the second child and to look after the first one, and she throws Dean and Sal out of their house. They both decide to go to Italy after reaching New York. On the way, Dean creates havoc and steals many cars for the sake of having fun. Sal and Dean quarrel for the first time. After reaching New York, Dean meets Inez and decides to marry her after he divorces Camille. Fourth part has Sal, Dean and Stan driving to Mexico to start a new life. The usual dope and girl chasing happens. Sal falls sick due to dysentery. Dean leaves him with Stan in that condition because his divorce from Camille came through and he is in a hurry to marry Inez and give her a child. Sal starts to hate Dean. Part five shows Sal falling in love with Laura, and Dean coming into their lives briefly and exiting again.

On the Road is not a story, but is an experience. It is not about bromance but about brotherhood. Sal wants to live an excitement filled life and thinks Dean has and can provide him one. Dean is a car thief who steals cars for fun, but likes to make a living in a decent way. Marylou, Camille and Inez are Dean’s wives. Of all of them, he loved Marylou more and keeps going back to her. Sal knows that Dean is a prick but still loves his company. Since the characters are the real life ones, there is not much of a character development.

This book gives a lot of insight about the beat generation. This generation lived as if there was no tomorrow. Work less, party hard. Dopes, sex, road trips, cars, parties and booze are what made that generation happy. The book is written is simple language using simple narration. It is not quite what I expected, but it did not disappoint me either. The experiences of Sal on the road with four trips are overwhelming and the emotions he goes through are a lesson for life. I might recommend it to the readers who want to read something on the road trips.

In the cover picture of the book, you see Jack Kerouac (Sal Paradise) on the left and Neal Cassady (Dean Moriarty) on the right.

Guest Post by Tamara Thorne and Alistair Cross

Guest Post by Tamara Thorne & Alistair Cross

We love Gothics. Tamara teethed on Dark Shadows, rushing home every day to watch vampire Barnabas, witchy Angelique, and ghostly Quentin. Alistair devoured Rebecca and Turn of the Screw at a young age. The tales we both grew up loving are centered on an innocent young woman (be it governess, servant, or bride) caught up in the dark mysteries and romances of a spooky old mansion.

The Gothic has attracted readers for centuries and with good reason. Gothics generally include a naive heroine, a sprawling mystery-laden house with closed off rooms or wings, a handsome brooding master of the manor to warm the cheeks – and the panties – of the heroine, and several mysterious servants who may or may not be the heroine’s ally. And there is always someone who obviously has it out for the sweet young woman – generally the head housekeeper. What’s not to love?

In our younger years, both of us scoured libraries and used bookstores for Gothics written in the 1970s and 80s, strumming through anything with a cover featuring a spooky mansion or castle, and a windswept girl fleeing in the night. Both of us were after Gothics with a supernatural flair. The bigger the flair, the more we loved – and still love – it.

“Write what you love,” they say, and our novel, The Ghosts of Ravencrest, is pure Gothic. It follows governess Belinda Moorland as she settles into Ravencrest Manor’s routine. From the moment she arrives, the self-styled “house administrator,” Mrs. Heller, has it in for her, but the elegant butler, Grant Phister, is warm and friendly even though he is obviously keeping secrets of his own. On her very first night, a handsome ghost tries to seduce her. As the story moves along, Belinda encounters more and more mysteries and the reader even gets to visit Ravencrest in 1788 to find out why some of the ghosts in contemporary times are so tormented.

But The Ghosts of Ravencrest is modern. While it has plenty of romance, horror, and sex that sizzles, it still retains the feel of the old-time Gothic mysteries. So far, we’ve met witches, a trio of evil nuns, and a disfigured harlequin, as well as a slew of other spectres including the White Violet – a beautiful actress who went mad in the 1930s – and Amelia Manning, aka, The Bride of Ravencrest, who – after the death of her beloved husband – proclaimed herself the manor’s eternal companion.

We learn about the history of Ravencrest, how it served as a madhouse and hospice during in the Civil War era and housed an orphanage in the east wing around the time of the great witch hunts in the early years of the nineteenth century. Many were burned, but the real witch escaped to live on to torment the inhabitants of Ravencrest another day…

The Ghosts of Ravencrest is the first book in The Ravencrest Saga. We will begin releasing episodes of the second novel-in-progress, The Witches of Ravencrest, later this fall. You will meet more supernatural beings, not just ghosts and witches, but creatures of every ilk. Perhaps we’ll uncover what Old Peckerhead, the scarecrow, has up his tattered sleeve. Or what makes Riley, the groundskeeper, have such a voracious appetite. Or maybe we’ll delve into the story behind the gliding, gibbering nuns, Sisters Faith, Hope, and Charity. The sky’s the limit, but certainly, we will see more of Belinda’s special talents, and her budding romance with Eric Manning. And of course, some Ravencrest mysteries will be resolved even as new ones surface.  But that’s only the beginning. At Ravencrest, it’s wise to dig into the earth before something digs its way out and finds you first.